241/1030: Theories of the Novel and some reflection

I’ve lost some steam again in posting here everyday, but I’m still somehow working at least 4/7 days for a PhD, so I’m feeling pretty good about that. 

Having an office space to go to has been motivating, since I always go with at least 3 hours to work there and can’t leave unless I’ve gotten done my mini goal for the day, though I don’t think I’ll meet my main goal for this week: I want to actually get to drafting something. Instead, I’m still slogging through all the material I’ve collected, and keep getting distracted by other texts connected to what I’m currently trying to read, and I am lucky when I write something in my notes that finds a cohesion between ideas that can be used for my diss. So far, it’s just a lot of fragements, as the menu on the left of the image may demonstrate. Still, yesterday I figured out a possible organization by starting with the focus on the subject/individual in literature, and then moving to the novel, and then moving to Bakhtin. 

I wish I had more of these breakthroughs. 

Part of the problem is that it takes a huge chunk of uninterrupted time to get to some breakthroughs. For example, yesterday I finally (after paperwork, helping someone, chores, errands, workout) made it to the office by 1500. My soft goal was 3 hours, but I found myself finishing the last of annotations for my 2014/15 notes and didn’t want to leave before I’d done that. Of course, the first 1.5 hours, I was looking for distraction in my emails and WordPress, so had I been more efficient with my time, I may have left at 1800. Still, after spending 2 solid hours actually working with my notes is when I was able to make the connection I did above. This pattern is usual for me, and I know this is my writing habit, but I can’t wait to devote all my time to PhD work rather than half the day (when I’m lucky) as I am now. October 2017 is going to be awesome. 

In other news, as far as theories of the novel are concerned, I was surprised to see that Georg Lukács, whose “The Ideology of Modernism” I reread for today, was also interested in the Novel as a genre and form, and that Bakhtin may have actually been informed by Lucács in his own writings about the novel. Galin Tihanow in The Master and the Slave: Lucács, Bakhtin, and the Ideas of their Time (2000) provides a pretty good overview of how this happened. Noticing this connection made me look at Tihanov and read his introduction, and while there are some useful notes about Bakhtin here, and I may refer back to the book, I don’t actually need it now, and that’s the source of some of my problems in productivity right now.

That being said, Tihanov’s emphasis that Bakhtin had an “‘unreserved trust’ in the unity of tradition” (9) isn’t totally useless. It serves as a good reminder of how to approach Bakhtin despite the tendancy of post-colonial critics or deconstructionist. Bakhtin inherited structuralism and Russian Formalism very well, and while his theories disprove many of these ideas, they are in fact meant to support the building they break down. 

Furthermore, and of even more significance for this blog given the title I gave it, “For both Lucács and Bakhtin, the novel became the pinnacle of their efforts to problematize the connections between culture and society” and in their work, “the genre of the novel is a site of intersecting literacy and philosophical analysis which strives to understand modernity and to respond to it” (7). This is not news to me, since I am very familiar with Bakhtin’s theory of heteroglossia, which I understand as a symptom of modernity, but it’s nice to find other scholars who say it better than I can. 

I guess that’s all for today. No idea how coherent it was this time around, but thanks for reading! 

Work Cited: Tihanov, Galin. The Master and the Slave: Lucács, Bakhtin, and the Ideas of their Time. Oxford: Clarendon P, 2000. Web